7 edition of Shakespeare and his legal problems found in the catalog.
Shakespeare and his legal problems
George Williams Keeton
|Statement||by George W. Keeton ; with a foreword by Lord Darling.|
|LC Classifications||PR3028 .K4 2009|
|The Physical Object|
|ISBN 10||1584779454, 1584779462|
|ISBN 10||9781584779452, 9781584779469|
|LC Control Number||2009006618|
The Fair Youth. Whether championing Herbert, Wriotheseley or Hughes, the one thing most scholars agree on is that Mr W. H. is the same person as the character in the Sonnets usually described as ‘the Fair Youth’ to whom the first of the poems are addressed. The poet Don Paterson calls this a ‘sly euphemism’ (believing it desexualises and romanticises the relationship) and prefers 13 hours ago Early Modern Debts: – makes an important contribution to the history of debt and credit in Europe, creating new transnational and interdisciplinary perspectives on problems of debt, credit, trust, interest, and investment in early modern collection includes essays by leading international scholars and early career researchers in the fields of economic and social history
Shakespeare and His Biographical Afterlives (Shakespeare & (6)) by NULL available on Best Price online. Faster Shipping. Worldwide :// Berkeley Electronic Press Selected Works
A few more citations: George W. Keeton, a specialist in the history of the Court of Chancery, concluded in his massive study Shakespeare's Legal and Political Background that Shakespeare's legal knowledge was not much different from that of his contemporary playwrights, although his observation was closer and more :// 2 days ago But the 19th century book, which shares the title of “Great American Novel” with the likes of The Great Gatsby and To Kill a Mockingbird, is in fact an anti-racist one. It unmasks the racist falsehoods that were used to justify slavery for centuries, while also showcasing the humanity of enslaved characters and bringing an egalitarian
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An Admirable Study of Legal Topics in Shakespeare Keeton, George Williams. Shakespeare and His Legal Problems. Originally published: London: A. & C. Black, Ltd., x, pp. Reprinted by The Lawbook Exchange, Ltd. ISBN ; ISBN Hardcover with dust jacket.
New. * Reprint of the sole edition. Keeton addresses general topics, such as the William Shakespeare, English dramatist, poet, and actor considered by many to be the greatest dramatist of all time.
No writer’s living reputation can compare to that of Shakespeare, whose notable plays included the tragedies Romeo and Juliet, Hamlet, King Lear, Macbeth, and Othello. He was also known for his :// An Admirable Study of Legal Topics in Shakespeare Keeton, George Williams. Shakespeare and His Legal Problems.
Originally published: London: A. & C. Black, Ltd., First published in Shakespeare's writing abounds with legal terms and allusions and in many of the plays the concept and working of the law is a significant theme.
Shakespeare and the Lawyers gives a comprehensive survey of what Shakespeare wrote about the law and lawyers, and what has been written, particularly by lawyers, about Shakespeare's life and works in relation to the :// William Shakespeare's handwriting is known from six surviving signatures, all of which appear on legal documents.
It is believed by many scholars that the three pages of the handwritten manuscript of the play Sir Thomas More are also in William Shakespeare's ://'s_handwriting. The earliest Shakespearean scholars readily admitted Shakespeare’s mastery of legal matters, among them Edmund Malone, George Steevens, and Churton Collins, who noted his “minute and undeviating accuracy in a subject where no layman who has indulged in such copious and ostentatious display of legal technicalities has ever yet succeeded in Those who love and appreciate Shakespeare and his legal problems book deserve better.
Fully documented, Shakespeare Suppressed is a valuable resource for those who want to learn the unadulterated truth about Shakespeare and his works. The book debunks the experts case for the Stratford Man as the great author, and exposes the misleading First Folio › Books › Biographies & Memoirs › Arts & Literature.
Shakespeare produced most of his known work between and His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the 16th century. He then wrote mainly tragedies until aboutincluding Hamlet, King Lear, Othello, and Macbeth, 1 day ago His most recent book, Shakespeare and the Countess: The Battle that Gave Birth to the Globe, was shortlisted for the Tony Lothian Prize, was listed as one of the ‘Books of the Year’ by both Measure for Measure, among the problem plays, offers a legal framework and, according to John D.
Eure (), expresses Shakespeare's statement on the limitations and competence of :// The Tempest offers a twentieth-century audience more problems for a full understanding than most of Shakespeare’s plays, and these problems are the more insidious because action, language and characters seem transparently clear.
Yet the play is highly intellectual and despite the work of scholars who have explored many of the ideas raised by the varied but scant sources there remain elements 2 days ago Few poets have been as essential, as influential to the evolution of a language—both the written word and the spoken tradition—as William Shakespeare was to English.
His poems, particularly his sonnets, which became renowned for their particular form and human themes (love, death, time, memory, etc.), are still studied, memorized, recited, and enjoyed; his plays, likewise, are :// Shakespeare and the Legal Imagination.
Law in Context. London: Butterworths, White, Edward J. Commentaries on the Law in Shakespeare. Louis: F.H. Thomas Law Book Co., _____ Related Articles Setting, Atmosphere and the Unsympathetic Venetians in The Merchant of Venice Themes Shakespeare and his social context.
New York: AMS Press, © (OCoLC) Online version: Ranald, Margaret Loftus. Shakespeare and his social context. New York: AMS Press, © (OCoLC) Named Person: When William Shakespeare first started writing, He had problems with two fires that almost wiped out his house. He was forced to get married had problems finding good actors, and later experienced writer s block.
Even though Shakespeare was a great writer, he had many problems, w Shakespeare records the problems of playing and of audiences in more detail in A Midsummer Night’s Dream.
No players could be more hopeless than Nick Bottom, the weaver, and his amateur friends, who, in the hope of winning a small pension, perform the internal play, Pyramus and Thisbe, to celebrate the triple marriage of Duke Theseus and two For himself, Shakespeare learned from his own writing how to deal with the language of law theoretically and conceptually with such concepts as equity and mercy in Chancery.
He used his own family life, personal documents, and legal problems to give impetus to his version of borrowed characters, plots, plays, and :// Featured External Sites; Oxfraud When the Shakespeare Authorship page began init was the only site on the Internet dedicated to countering claims that someone other than William Shakespeare wrote the lion's share of the works professional literary historians have always assigned to Shakespeare.
We have more company now (as you can see from the sites linked in our Bardlinks OCLC Number: Description: xvi, pages illustrations, facsimile, maps, portraits (some color) 26 cm: Contents: The Patron --The founders of his house --The broken home --Her Majesty's ward --A melodramatic interlude --Family problems --To the wars at last --Marriage --A sometime general of the horse --Season of discontent --Rebellion --The trial --The favour of King James --The Per Dr.
Feldman p. "It has become fashionable in Shakespeare studies to consider William Shakespeare's will as no more than a legal document which cannot be perused for clues to his personality and outlook on life.
`A will is a legal instrument for devising property, and not a literary autobiography,' admonished Sir E. Chambers in his › Books › Literature & Fiction › History & Criticism. “Shakespeare, and Shakespeare alone, after Marlowe, is persistently non-religious in his handling of life.” Algernon Swinburne, Victorian poet: “Shakespeare was in the genuine sense – that is, in the best and highest and widest meaning of the word, a Freethinker.” Ivor Brown (), drama critic, said in Shakespeare: Love in Shakespeare is a recurrent theme.
The treatment of love in Shakespeare’s plays and sonnets is remarkable for the time: the Bard mixes courtly love, unrequited love, compassionate love and sexual love with skill and heart.
Shakespeare does not revert to the two-dimensional representations of love typical of the time but rather explores love as a non-perfect part of the human :// According to a university press release, the problems explain why John Shakespeare, who served a magistrate and alder, withdrew from civic life in his hometown of Stratford-upon-Avon in